www.sasamilivojev.com Saša Milivojev – DER JUNGE AUS DEM GELBEN HAUS Genre: ROMAN (Bekenntnisse eines Zeugen als akademische Referenz) Urheberrechtlich geschützt Anzahl der Seiten: 286 ISBN: 978-86-914737-0-9 Preis: 500 Dinar + Versandkosten 18+ Wird minderjährigen und seelisch empfindlichen Personen nicht empfohlen… „DER JUNGE AUS DEM GELBEN HAUS“ ist der schockierendste Roman je in der … Настави са читањем “Saša Milivojev – DER JUNGE AUS DEM GELBEN HAUS”
Genre: ROMAN (Bekenntnisse eines Zeugen als akademische Referenz)
Urheberrechtlich geschützt
Anzahl der Seiten: 286
ISBN: 978-86-914737-0-9
Preis: 500 Dinar + Versandkosten
18+ Wird minderjährigen und seelisch empfindlichen Personen nicht empfohlen…
„DER JUNGE AUS DEM GELBEN HAUS“ ist der schockierendste Roman je in der Welt veröffentlicht, ein autobiographisches Bekenntnis, nach dem die Menschheit nie mehr dieselbe bleiben wird. Vermittelt durch den Autor Saša Milivojev erzählt der Zeugenjunge von den Greueln, die ar als Zwölfjähriger in seinem Land überlebt hat: von dem Gelben Haus und Lagern, von entführten Zivilisten, Trinken deren Bluts und Schmuggeln deren Organe, von Kriegsverbrechen und brutälsten Morden, Vergewaltigung, Leiden, ethnischen Säuberungen, Völkermord, geheimen Gruften…
Der Roman „Der Junge aus dem gelben Haus“, auf mehreren Erzählebenen aufgebaut, deckt gleichzeitig Unterstellungen in naher und aktueller Geschichte auf, enthüllt politische Fraglichkeiten. Ein Roman über Integrationen, Bewahrung territorialer Integrität und Identität eines souveränen Landes, über Kriminal und Korruption, über die Verfolgung politischer Gegner unter dem Schleier der Demokratie, über terroristische Strategien und der Expansion des politischen Dschihad. Eine Verknüpfung des Epischen, Lyrischen, Erzählerischen, Dramatischen und Journalistischen. Über Bombardements und die Vernichtung des genetischen Kodes. Über Freundesverräte, Lügen, Kriminelle, Sektenmitglieder, falsche Identitäten, psychiatrische Fälle, über Drogensucht, Prostitution, Pädophilie, Nekrophilie, über die tiefsten Abgründe des menschlichen Wesens und vollendete Kunst. Über Hass und Liebe, Überwindung des Zorns, Frieden, Versöhnung, über globale Liebe und Toleranz, erzählt der Held von engelhafter Schönheit und außergewöhnlichem Talent, vielseitiger Ausbildung und atemberaubender Darbietung…
www.sasamilivojev.com Saša Milivojev – THE BOY FROM THE YELLOW HOUSE Translation from Serbian: Aleksandra Jakšić OPERATING ROOM OF THE YELLOW HOUSE Auf jedem Wege, in jeder Form suche ich immer und ewig dasselbe: die Wahrheit. We went out of the prison. Very fresh evening. Strange air. Painful song of … Настави са читањем “Saša Milivojev – OPERATING ROOM OF THE YELLOW HOUSE”
Auf jedem Wege, in jeder Form suche ich immer und ewig dasselbe: die Wahrheit.
We went out of the prison. Very fresh evening. Strange air. Painful song of night birds could have been heard. We came into the van parked near dense thicket. I was driven by Baldy, our road was absolutelly unknown… Darkness… Nothing could be seen except of occasionaly placed houses and the Moon, hiden among a number of clouds. The village was sleeping. I felt very badly. Nausea. Slackness. Sweat. Baldy was driving very carefully and didn’t say any word all way long. He stoped the car, turned off the engine, opened the window… He was watching the Yellow House untill some people came out of it.
„Come on, go out!“ – he waited for me next to the door and grabbed my arm. We came closer to those people. They were whispering something while we were going into the house, known to me because I had already heard a lot of terrible and spooky stories about it in the prison.
We were walking towards the doors, whose edges hardly allowed sharp rays of light to penetrate. Smell of chlorine was in the air, very strange smell… smell of hospital, smell of drugs… Suddenly, the door opened and intensive light from the operating room made us blind for a moment. I saw the doctors and a man on the table; they were pulling out something from his body by large and thick syringes. I was little and so scared, didn’t know what was happening around me. I guess, they were extracting the bone marrow because it also can be transplated. I didn’t see the victim’s face. I felt sick. I just saw the victim in position of cat, its knees wereput together and the spine was bent. That is why I suspect they collected the bone marrow. That was being done by the experts.
„We have to wait them to finish“ said Boldy. He didn’t care I was crying. He could have let me go if he had wanted.
„I am so scared! I am scared. Are they going to kill me? Please, do not kill me! Don’t, please!“- I was begging in tears.
„Shut up!“ – I fell silent when he put the gun on my temple; all my body was shaking of fear and iciness. My legs were trembeling. My teeth rattled. We were sitting in one corner, waiting them to finish. The doctors were not dressed in those clasic hospital coats. They only had rubber gloves and rubber aprons, tied around the waist, all in hospital light-green color. I remember the pathos on which I’m still begging in tears, surrounded by scattered syringes and empty bottles, as well as gauzes soacked with blood. The table for operation was very large. On a wooden rack, there was an empty bottle of infusion. I remember a small cabinet in which I saw pans, scalpels, small bottles of injections, package of syringes, infusion or waht ever… The walls were quite old, but whitewashed. That place was old but clear. I would say that all accessories were aseptically. I remember the blades’ glow!
It was not a luxuriously equipped operating room: there were only the most essential things, instruments and apparatus. The victim, who whose bone marrow had been being extracted was butchered, thrown on the trolley and brought forth from the room. They brought a half-dead man I had seen in the prison cell while going through the hall. He was all yellow, in wounds, like a corpse, halucinating something. Anesthesia was given to him. They were in a hurry, put masks on their faces preparing some containers. They hooked up some apparatus to the victim, I believe it was an apparatus for suction of blood. I started to lose my consciousness and to see them in some fog. Two of them were going into the room..Three of them…
I saw knives, scalpels, hurry and assault! Baldy took cocaine and started to snuff it. They throwed some nylon over us, I heard clinking of ice while I was vomiting in the corner. I spent much time waiting..and shaking..I saw Nosy while packing some organ. I was exhausted, bathing in cold weat..
Liver and kidney – several hours, no more than a day can be usable if intended for transplantation. That is some period in which organs are able to keep their functions. They packed the organ into the bag with ice, i remember: in that way the organ can longer stay usable and fresh, yes… Usual transport… Performed in plastic buckets wih ice. That organ must not be in direct contact with ice; some foil must be between i.e. there must be some material without any direct contact with ice, but in the same time material which absorbes temperature of ice: material which cools the organ. After being submerged into ice (not literarly because of that foil I mentioned before), the organ is also resistant to shakings. Avoiding all kinds of shaking is very important condition for escaping deterioration of the organ. Hm… I do not know what effection on that make turbulations in the plane, diluted air pressure and other weather parameters in the heights. I really can’t help you here, but information that organs were being flown by plans I got from the security services; latter, I confirmed that information listening other witnesses. Even I got some orders proving an international transport. I think that optimal temperature for saving organs is 4°C. I really do not have any knowledge about medicine except on dermatovenerology. I have no idea on surgery, just talk what I can remember. Horrible pictures are following me. I have a severe trauma. I was watching them cutting the body with the back-saw. When they wrapped the victim in the sheet, and wrapped like that into a thick nylon, Mustache Man opened the door and whistled. Several young men came and brought out a dismembered corpse. I was so scared that I would be the next on the operating table, but I was in scilence and in terrible fear of Baldy who held the gun pointed in my head.
Some women came and started to clean the table, to scatter it with some chemicals. One doctor was of the middle height, middle ages and fat. He had bulged belly, redish in his cheeks, with thick black eyebrows and mustache and with terrible eyes. Other one was taller, thinner, bloodless in his face, with huge red nose. They were speaking with Baldy: those were nurse and other medical stuff. I think in that hell of the house, there were fifty of them who were stealing human organs. I remember one black man and one beardy man, mujahedin. Who knows from which countries they all came there. They were running, going in, going out, altering each other..They made some analysis of blood results..Although I then didn’t know what those words mean, I am sure they mentioned some components of blood such as bilirubin, hemoglobin, transaminase etc..They were making some deal. Man with mustaches approached me and with his fingers pulled down the skin bellow my eye. He was watching my white of the eye: „Verdhez”.
“You have jaundice, you son of the bitch! I will burn you alive if you have infected me!” screamed Baldy pointing the gun towards me.
“ No, please, nooo..do not kill me, please!”
He hit me with his fist in the head, broke my nose, pulled my ears! Nosy grabbed his arm and began to defend me: “Take him to hospital. When he is well, bring him back” – I tried to understand their conversation. We lived together and learnt languages from each other. Since the functions of my organs were quite bad because of acute jaundice and hepatitis, they wanted firstly to heal me and after that to take my organs. Than I left that damned house, with gauze on my nose, taking with me incredible fear of death. After 9 years, I was a bit free of fear, so I started to talk about that. But, it still hurts, very, very much.. They say: time is the great healer. It is not true. Time destroys. I am a ruin now, dusty and buried..
www.sasamilivojev.com SAŠA MILIVOJEV, l’écrivain serbe, poète, journaliste, chroniqueur et analyste politique, d’origine russe. Né en 1986. à Zrenjanin (Yougoslavie, Serbie), où il a terminé L’Ecole secondaire de musique. Il a chanté dans l’oratorio “Le Roi David” écrit par Arthur Honegera, et dans Philharmonique Arcadique (Roumanie). Après avoir fini l’école secondaire de musique il … Настави са читањем “Saša Milivojev – Biographie (Français)”
SAŠA MILIVOJEV, l’écrivain serbe, poète, journaliste, chroniqueur et analyste politique, d’origine russe. Né en 1986. à Zrenjanin (Yougoslavie, Serbie), où il a terminé L’Ecole secondaire de musique. Il a chanté dans l’oratorio “Le Roi David” écrit par Arthur Honegera, et dans Philharmonique Arcadique (Roumanie). Après avoir fini l’école secondaire de musique il a dirigé son objectif vers les études de philologie à l’Université de Belgrade, où il est devenu étudiant diplômé du Département pour l’étude de la littérature serbe et la langue. Il est l’auteur de quatre recueils de poésie: “Le secret derrière le souffle” (publié par Narodna knjiga, Belgrade, 2006); “Première fois” (Association culturelle et éducative, Kruševac, 2008); “Quand la luciole s’envole” (en serbe, anglais et en arabe, Filip Višnjić, Belgrade, 2010); “Recette d’Amour” (Association culturelle et éducative, Kruševac, 2010) et nouvelle choquante “Un garçon de la maison jaune” (droits dauteur édition, Belgrade, 2011).
Il a reçu de nombreuses prix et a été inclus dans plusieurs anthologies de poèmes importants: “Mouette de Pannonie XIX”, “Les sources des mineurs XIX”, “Allee fuligineuse XIX”…
Depuis 2008. en tant que chroniqueur, il écrit pour “La politique” la rubrique “Les regards” et pour une emission de television également issue par “Politika”. Depuis 2009. il écrit colonnes dans “La justice”, qui traite l’étude analytique et synthétique de l’histoire récente et actuelle des Serbes. Préoccupé par les questions de crimes de guerre, en dépit de nombreux louanges, les opposants politiques l’ont accusé à plusieurs reprises et sans arguments et sans preuves, de manipuler ses lecteurs pour propager “le discours de haine”. En 2009. divers journaux, publications ont publiés ses articles avec un tirage d’environ trois millions d’exemplaires… Il fut l’un des chroniqueurs le plus lu en Serbie en 2008. et en 2009.et la victime des manipulations de différentes formations politiques. Il agissait de l’ombre et influençait dans les décisions importantes des leadeurs politiques. Les politiciens et les services de renseignement lui vole ses idees par SMS. Par exemple Saša Milivojev était le créateur de l’idée de la grève politique de la soif et le réducteur de notation professionnel. Il s’occupe de dramaturgie politique dans la fiction et à la réalité.
Il a présenté au public Belgradois deux fois ses réalisations poétiques, dans le Musée Ethnographique, en collaboration avec des artistes célèbres éminents : Isidora Bjelica, Ivana Žigon, Jelena Žigon, Daliborka Stojšić, Eva Ras, Danijel Pavlović, Žiža Stojanović, Zlata Numanagić, Branka Veselinović… Les célèbres actrices: Svetlana Bojković, Ruzica Sokić, Danica Aćimac, Snezana Savić, Suzana Mančić et autres ont lu ses poèmes. Olja Ivanjicki et les directeurs Zdravko Šotra et Marko Novaković ont soutenu ce jeun artiste par leur coopération.
Il y a beaucoup de fans de sa poésie dans le monde entier. Il a présenté le Livre “QUAND LA LUCIOLE S’ENVOLE” en mai 2010. au public au Caire, où il a assisté à des rassemblements littéraires divers, où il a parlé des écrivains célèbres: Soha Zaky et Alaa Al Aswany (l’un des écrivains les plus célèbres dans le monde, le fondateur du mouvement d’opposition politique “Kifaya”).
En Arabie saoudite, les journalistes écrivent sur son amour pour Dieu, dans un quotidien en Egypte Saša Milivojev est mentionné comme “le” poète du vol mystique et de la méditation”…
www.sasamilivojev.com ساشا ميليفويف شاعر وكاتب وكاتب اعمدة صحفية ومحلل سياسي صربي، من أصل روسي، ولد في العام ١٩٨٦ في مدينة زرينينن، حيث أكمل دراسته ونمى مواهبه في المدرسة الإعدادية الموسيقية. غنى في فرقة الموشحات الدينية بقيادة آرثر هوناكير في أوبرا “الملك داود” في فيلهارمونيكا مدينة لارادا في رومانيا. وبعد عشرة سنوات من الاستمتاع بالموسيقى، حول … Настави са читањем “ساشا ميليفويف”
ساشا ميليفويف شاعر وكاتب وكاتب اعمدة صحفية ومحلل سياسي صربي، من أصل روسي، ولد في العام ١٩٨٦ في مدينة زرينينن، حيث أكمل دراسته ونمى مواهبه في المدرسة الإعدادية الموسيقية. غنى في فرقة الموشحات الدينية بقيادة آرثر هوناكير في أوبرا “الملك داود” في فيلهارمونيكا مدينة لارادا في رومانيا. وبعد عشرة سنوات من الاستمتاع بالموسيقى، حول الشاعر اهتمامه إلى كلية اللغات في جامعة بلغراد، حيث يدرس ألان، وبنجاح، في قسم اللغة الصربية وأدبها. للكاتب ثلاث مجموعات شعرية هي: “السر وراء التنهيدة” (من منشورات الكتاب الوطني، ۲٠٠٦) و “أول مرة” (من منشورات المجمع الثقافي والتعليمي، كروشوفاتس، ۲٠٠٨) و “عندما تحلق اليراعة” (باللغة الصربية والانكليزية والعربية) إضافة إلى رواية “الفتى من البيت الأصفر”. حصل على عدد من الجوائز، ومسجل في قائمة أفضل كتاب المختارات الشعرية مثل: “نورس سهول بانونيا / التاسع عشر” و “الينابيع المعدنية / التاسع عشر” و “زقاق السخام / التاسع عشر”. ومنذ العام ۲٠٠٨ يكتب في جريدة “بوليتيكا” في ركن وجهات نظر وكذلك يكتب في الاستعراضات التلفازية لنفس دار الصحافة. وكذلك يكتب، منذ العام ۲٠٠٩، أعمدة في “برافدا” حيث يتناول دراسات تحليلية وتركيبية لتاريخ الشعب الصربي من الماضي القريب والمعاصر. وكذلك يهتم بقضايا جرائم الحرب. ومن الجدير بالذكر أن الكاتب حصل على عدد كبير من الاستحسان والمدح، ومن جانب أخر، اتهمه البعض بنشر “اللغة التي تدعو الى الكراهية” والتأثير السلبي في الرأي العام. وفي العام ۲٠٠٩ تم نشر أكثر من ثلاثة ملايين نسخة من نصوص الشاعر في مختلف الصحف اليومية.
كان واحدا من اشهر كتاب الاعمدة الصحفية في صربيا مابين العامين 2008 و 2009 وتعرض الى العديد من المضايقات السياسية. اثرت اراءه التي انطلقت من الظل على الكثير من مراكز اتخاذ القرار السياسي. حيث كانت تلك الاراء مصدر الهام للعديد من السياسيين وعناصر الاجهزة الامنية. فعلى سبيل المثال، يعتبر شاسا ميليفويف مخترع فكرة الاضراب عن شرب الماء من اجل الحصول على شهرة سياسية عالية. ويكتب عن الدرامه السياسية وكذلك الادبية والواقعية.
قدم للجمهور البلغرادي مرتين اعماله الشعرية، في المتحف الاثنوعرقي – بالتعاون مع عدد من الفنانين على سبيل المثال: اسيدورا بيليتسا، افانا زيكون، يلنا زيكون، داليبوركا ستوياشيتش، ايفا راس، دانييلا بافلوفيتش، زيزا ستويانوفيتش، زلاتا نوماناكيتش، برانكا فيسالينوفيتش … الخ. وتحدث عن اشعاره الممثلات المشهورات مثل: سفتلانا بايكوفيتش، روزيتسا سوكيتش، دانيتسا اجيماتس، سنيزنا سافيتش، سوزانا مانجيتش، واخريات. كما مد يد العون الى المؤلف الشاب كل من اوليا ايفانينتسكي ومقدم البرامج زدرافكو شوتار وماركو نوفاكوفيتش.
للشاعر العديد من المعجبين في شتى انحاء العالم. حيث قدم كتاب “عندما تحلق اليراعة” في شهر حزيران سنة 2010 الى الجمهور القارء المصري في القاهرة، وحضر عدد من الامسيات الشعرية لعدد من مشاهير الادب العربي مثل سهى زكي وعلاء الاسواني – الذي يعتبر واحد من اشهر الكتاب في العالم ومؤسس حركة المعارضة السياسية “كفاية”.
وكتب عنه الكتاب الصحفيون في المملكة العربية السعودية وعن قصائدة التي تتغني بحب الله. وفي الصحافة اليومية المصرية تم تقديم ساشا ميليفويف كشاعر الرحلة الصوفية التأمل.
Saša Milivojev: THE BOY FROM THE YELLOW HOUSE Genre: NOVEL ( confession of the witness as an academic reference) COPYRIGHT ISSUE Number of pages: 286 ISBN: 978-86-914737-0-9 PRICE: 500 RSD + postal costs 18+, Not recommended to the minors and psychologically sensitive people.. “THE BOY FROM THE YELLOW HOUSE” is the most shocking … Настави са читањем “Saša Milivojev: THE BOY FROM THE YELLOW HOUSE”
Saša Milivojev: THE BOY FROM THE YELLOW HOUSE
Saša Milivojev: THE BOY FROM THE YELLOW HOUSE
Genre: NOVEL ( confession of the witness as an academic reference)
COPYRIGHT ISSUE
Number of pages: 286
ISBN: 978-86-914737-0-9
PRICE: 500 RSD + postal costs
18+, Not recommended to the minors and psychologically sensitive people..
“THE BOY FROM THE YELLOW HOUSE” is the most shocking novel ever published in the world, an autobiographical confession after which mankind will never be the same. In copyright meditation of Saša Milivojev, the Boy- witness speaks about unimaginable horror he survived in his own country as a 12 year-old boy: about “the Yellow House” and camps, about kidnapped civilians and drinking their blood, about smuggling their organs and war crimes, about the most brutal killings and rapes, about incredible sufferings and ethical cleaning, about genocide and secret tombs…
The novel “The Boy from the Yellow House” has been built on several narrative levels, simultaneously discovering all pranks in close and actual history, discovering political dilemmas on integrations, territorial integrity protection as well as on identity of one sovereign country; on criminal and corruption, prosecution of the political opponents under the veil of democracy, on terrorist strategies and global jihad expansion. A blend of epic and lyric, narrative, dramatic and journalistic; on bombing and destroying of the genetic code; on friends’ betrayal, lies, the criminals, the sectaries, false identities, psychiatric cases, drug addiction, prostitution, pedophilia, necrophilia; on the lowest levels of the human being and divine art; on hate and love, the way of overcoming anger, on peace, conciliation, global love and tolerance.. speaks the hero of angelic beauty and an extraordinary talent, wide knowledge and fascinating performance..”
www.sasamilivojev.com SAŠA MILIVOJEV – Biography (English) SAŠA MILIVOJEV a Serbian writer, poet, journalist columnist and political analyst of Russian origin, was born in 1986 in Zrenjanin (SFRJ, Serbia), where he nurtured his many talents in the Music Gymnasium. He used to sing in the “King David” Oratorio by Arthur Honegger in the Arad Philharmonic … Настави са читањем “SAŠA MILIVOJEV – Biography (English)”
SAŠA MILIVOJEV a Serbian writer, poet, journalist columnist and political analyst of Russian origin, was born in 1986 in Zrenjanin (SFRJ, Serbia), where he nurtured his many talents in the Music Gymnasium. He used to sing in the “King David” Oratorio by Arthur Honegger in the Arad Philharmonic Orchestra, Romania. After ten years of enjoying music, Milivojev turned towards the Faculty of Philology of Belgrade University, where he is a successful student of the Serbian Language and Literature. He is the author of four collections of poems: “Tajna Iza Uzdaha” (“The Secret Behind a Sigh”, published in 2006 by Narodna Knjiga, Belgrade), “Prvi Put” (“The First Time”, published in 2008 by Kulturno-Prosvetna Zajednica, Kruševac, 2008), “Kad Svitac Odleti” (“When the Firegly is Gone”, in Serbian, English and Arabic, Filip Višnjić, Belgrade, 2010), “Ljubavni recePat” (Kulturno-Prosvetna Zajednica, Kruševac, 2010), and a novel entitled “Dečak iz Žute Kuće” (“The Boy from the Yellow House”). He has received many awards, and his poems are included in several anthologies of poetry, including the “Panonski Galeb” (“The Seagull of Pannonia”) Vol. XIX, the “Rudnička Vrela” (“The Rudnik Springs”) Vol. XIX, the “Garavi Sokak” (“The Sooty Alley”) Vol. XIX, etc.
Since 2008, Milivojev has worked as a contributor to the “Pogledi” column of the Politika newspaper, and as of 2009 he has been writing columns in the Pravda newspaper, dealing with analytical and synthetic research in the recent and contemporary history of the Serbian people. Concerned with war crimes topics, Milivojev has been praised by many, but also criticised by individuals who do not share his political views and who often accused him of manipulating the readership and spreading “hate speech”. By 2009, Milovojevs texts have been printed in about 3 million copies in various daily newspapers. He was one of the most read columnists in Serbia in 2008. and 2009. and the victim of variety of political manipulation. From the shadow, he influenced very important decisions of political leadership. His ideas are stolen by politicians and secret service via SMS. For example, Mr. Saša Milivojev is a political thirst strike idea creator and professional destroyer of rating. He is engaged in political dramaturgy, both in literature and in reality.
His poetic achievements have been introduced to Belgrade audience twice, in Ethnographic Museum, in collaboration with famous Serbian artists such as: Isidora Bjelica, Ivana Žigon, Jelena Žigon, Daliborka Stojšić, Eva Ras, Danijel Pavlović, Žiza Stojanović, Zlata Numanagić, Branka Veselinovicć. His poetry was recited by well-known actresses Svetlana Bojković, Ruzica Sokić, Danica Aćimac, Snežana Savic, Suzana Mančić etc. By their mutual cooperation, this young author has also been supported by Olja Ivanjicki, Zdravko Šotra and Marko Novaković.
He has his poetic fans all over the world. Kairo reading public was introduced with his poetry in May 2010., by his book “When the Firefly is Gone”, while he was being present at various literary gathering where famous writers spoke about him: Soha Zaky and Alaa Al Aswany (one of the most famous writers in the world, a founder of oppositional and political movement “Kifaya”).
In Saudi Arabia, the journalists write about his love for God; in Egyptian newspaper, Saša Milivojev is mentioned as a writer of mystical flight and meditation.
www.sasamilivojev.com SAŠA MILIVOJEV – Biographie (Deutsch) SAŠA MILIVOJEV ist serbischer Schriftsteller, Dichter, Kolumnist und politischer Analytiker russischer Herkunft. Er wurde 1986 in Zrenjanin (SFRJ, Serbien) geboren, wo er das Musikgymnasium beendete. Er sang in Arthur Honeggers Oratorium „König David“ in Arads Philharmonie (Rumänien). Nach abgeschlossenem Musikgymnasium wendet er sich zur Philosophischen Fakultät der Universität in … Настави са читањем “SAŠA MILIVOJEV – Biographie (Deutsch)”
SAŠA MILIVOJEV ist serbischer Schriftsteller, Dichter, Kolumnist und politischer Analytiker russischer Herkunft. Er wurde 1986 in Zrenjanin (SFRJ, Serbien) geboren, wo er das Musikgymnasium beendete. Er sang in Arthur Honeggers Oratorium „König David“ in Arads Philharmonie (Rumänien). Nach abgeschlossenem Musikgymnasium wendet er sich zur Philosophischen Fakultät der Universität in Belgrad, wo er das Studium im Studiengang Serbische Sprache und Literatur absolviert. Er ist Autor von vier lyrischen Sammlungen: „DAS GEHEIMNIS HINTER DEM SEUFZER“ (Narodna knjiga, Beograd, 2006), „DAS ERSTE MAL“ (Kulturno- prosvetna zajednica, Kruševac, 2008), „WENN DAS GLÜHWÜRMCHEN WEGFLIEGT“ (in serbischer, englischer und arabischer Sprache, Filip Višnjić, Beograd 2010), „LJUBAVNI RecePAT“ (Kulturno-prosvetna zajednica, Kruševac, 2010) und der empörende Roman „DER JUNGE AUS DEM GELBEN HAUS“ (Autorsko izdanje, Beograd, 2011). Er ist Träger zahlreicher Preise und wurde in verschiedene bedeutsame Poesieanthologien eingereiht: „Die pannonische Möwe XIX“, „Die Quellen von Rudnik XIX“, „Die rußige Gasse XIX“…
Seit 2008 schreibt er als Kolumnist für Politika, in der Rubrik „Pogledi“, sowie für TV Revija desselben Hauses. Seit 2009 schreibt er für Pravda, wobei er sich mit analythisch- synthetischen Erforschungen der jüngsten und derzeitigen Geschichte der Serben auseinandersetzt. Angeregt durch Themen über Kriegsverbrechen erntete er zahlreiche Lobe, jedoch wurde ihm von seinen politischen Gegnern ohne Argumente und Beweise des Öfteren vorgeworfen, die Leser zu manipulieren und „Hassgesang“ zu verbreiten. Im Jahr 2009 wurden seine Texte in einer Auflage von mehr als drei Millionen Exemplaren in diversen Tageszeitungen gedruckt. Er war einer der meist gelesenen Kolumnisten in Serbien 2008 und 2009 und Opfer verschiedener politischer Manipulationen. Inoffiziell beeinflusste er wichtige Entscheidungen der führenden politischen Elite. Über SMS werden seine Ideen von Politikern und Geheimdiensten gestohlen. Saša Milivojev ist beispielsweise der Gründer der Idee des politischen Durststreiks und professioneller Rating- Herabsetzer. Er beschäftigt sich mit politischer Dramaturgie, wie in Literatur, so auch in Wirklichkeit.
Zweimal hat er dem Belgrader Publikum seine Dichtung im Ethnografischen Museum in Belgrad vorgestellt, in Zusammenarbeit mit angesehenen Künstlern wie: Isidora Bjelica, Ivana Žigon, Jelena Žigon, Daliborka Stojšić, Eva Ras, Danijel Pavlović, Žiža Stojanović, Zlata Numanagić, Branka Veselinović… Seine Poesie trugen auch die berühmten Schauspielerinnen Svetlana Bojković, Ružica Sokić, Danica Aćimac, Snežana Savić, Suzana Mančić und andere vor. In der Zusammenarbeit mit Olja Ivanjicki und den Regisseuren Zdravko Šotra und Marko Novaković fand er wichtige Unterstützung.
Er hat Poesiefans in der ganzen Welt. Im Mai 2010 stellte er das Buch „WENN DAS GLÜHWÜRMCHEN WEGFLIEGT“ dem Publikum in Kairo vor, wo er verschiedenen literarischen Treffen beiwohnte, an denen berühmte Autoren über ihn sprachen: Soha Zaky und Alaa Al Aswany (einer der bekanntesten Schriftsteller der Welt, Gründer der oppositionellen politischen Bewegung „Kifaya“).
In Saudi- Arabien schreiben Journalisten über seine Liebe zu Gott, eine ägyptische Tageszeitung erwähnt ihn als „Dichter des mystischen Flugs und der Meditation“…
3-4.9.2011. www.sasamilivojev.com Saša Milivojev: POLITIČKI ŠTRAJK ŽEĐU Preteći Aleksandru Vučiću i Oliveru B. Antiću političkim azilom i Štrajkom žeđu u Briselu, uz obrazloženje da je to jedini način da se po hitnom postupku izborim za svoja prava, Ustavom zagarantovana, jer je Srbija Građanska država, psihološki sam delovao na njih da mi ukradu epohalnu ideju … Настави са читањем “Saša Milivojev: POLITIČKI ŠTRAJK ŽEĐU”
POLITIČKI ŠTRAJK ŽEĐU: Saša Milivojev, Oliver B. Antić, Aleksandar Vučić, Tomislav Nikolić, Hosni Mubarak
Preteći Aleksandru Vučiću i Oliveru B. Antiću političkim azilom i Štrajkom žeđu u Briselu, uz obrazloženje da je to jedini način da se po hitnom postupku izborim za svoja prava, Ustavom zagarantovana, jer je Srbija Građanska država, psihološki sam delovao na njih da mi ukradu epohalnu ideju o POLITIČKOM štrajku žeđu i preko noći ubede Tomosalva Nikolića da još jednom pokaže Evropi ko su zapravo naprednjaci! Nikolić je prvi političar u istoriji koji je upotrebio ovaj štrajk. Ideja se ubrzo raširila po svetu. Arapski mediji izveštavaše kako se Hosni Mubarak ugledao na srpskog desničarskog lidera i odbijao da uzima tečnost. Ideja je moja! Šešelj je gladovao 17 dana u Hagu, jer nije znao za Štrajk zeđu.
Dobrodošli prijatelji. Dobro došli neprijatelji… Ovde vas uvek čeka istina. Hvala vam što me niste zaboravili i ostavili, jer su me “braća Srbi” od 10. januara 2010. nemilosrdno sankcionisali, nipodaštavali, nihilisali, politički šikanirali i diskriminisali u svim tim partijskim, mafijaškim i sektaškim medijima, “nezavisnim” i jeftinim “srpskim” dnevnim novinama, punim mržnje, netrpeljivosti, laži, prevara, obmana, lažnog morala i ontološkog nemorala.
Godine 2008. posumnjah u zaveru između radikala i naprednjaka o navodnoj podeljenosti. Nisam obraćao pažnju kad su mi se svi rugali što sam “zalutao ideološki” iz Politike da poradim na liberalizaciji Pravde. POLITIČKA METASTAZA… Naprednjaci su počeli sami da mi se javljaju kao fanovi. Prvi među njima je bio funkcioner Oliver B. Antić. Bio je oduševljen mojim kolumnama, pa me je smarao telefonom i pisao mi poruke da sam “čudo”, a krajnji cilj mu je bio da kao intelektualni tvorac naprednjaka zloupotrebi moj bunt, talenat, nacionalna osećanja i uticaj na čitalačku masu. Međutim, čim je Karla del Ponte progovorila o Žutoj kući najavio sam roman pod šokantnim naslovom Dečak iz Žute kuće, nakon čega sam izbačen iz Politike i Pravde. Tada se ispostavilo da ni profesoru nije stalo do Žute kuće, koliko do lične radosti i filantropije! Aleksandar Vučić je pocrveneo kad sam mu rekao da mi je cilj da objavim roman o Žutoj kući i podstičem istragu. – Saša Milivojev to Aleksandar Vučić, SMS: “Prestanite da me lažete kao što lažete narod godinama.”
“Halo, slušaj me dobro Saša: Mami i tati reci da su lažovi! Da li me čuješ?! Mami i tati reci da su lažovi! Ti mene nisi ničim zadužio da bih ja bio dužan da ti pomognem”.
“Ma nemoj? Nisam došao sa ulice, gospodine Vučiću, došao sam iz Politike da vas upoznam! Hiljade mladih je krenulo za mojim rečima u Politici i Pravdi ka vašoj stranci, sad ćete videti kad ih sve okrenem protiv vas. Pustio sam pipke u strukture koje su i vama i Borisu Tadiću nedokučive. Iznenadićete se…”
Oliver B. Antić to Saša Milivojev, SMS: “Ne razumem šta očekuješ od nas? Mi nismo vlast da možemo da zaposlimo kvalifikovane. Ti si pesnički talenat, čak ni najbolji nisi imali prođu!”
“Poslali su me da literaturom i književnošću očistim žito od kukolja, samo su zaboravili da Vam kažu! Profesionalno mogu da se pozabavim vašom literaturom i izvlačeći vam iz konteksta dokažem jasan govor mržnje prema muslimanima, to što Vi radite nije literarna borba protiv terorizma, to je udar na religiju! A svaka se religija mora poštovati.”
“Još jedna pretnja sledi krivična prijava!”
“Koja crna ‘krivična’?I Vi možete odgovarati za kršenje ljudskih prava, manipulaciju i šikaniranje deklarisanog novinara, mladića čiju ste intelektualnu svojinu zloupotrebili u Pravdi, i lik i delo, a zatim ga ostavili na ulici!
“Nemamo mi više nikakve veze sa Pravdom, kupio Đilas.
“Mene ne zanima ko je vlasnik, meni Pravda duguje kao javno glasilo.” Kaže on: “Ti si bolestan.”
“Videćemo ko je bolestan kad se budete branili poligrafom! Vi dobro zante kako ugled stranke držim u šaci. Da li hoćete da se javim Homenu?
Vi ste ga ugasili, samo se još uvek niste osvestili da ste zauvek izgubili! Narod pamti. Neće vam oprostiti.”
“Ipak, plitko politički misliš.”
E sad ćemo videti ko “plitko politički misli”: Dakle, preteći Aleksandru Vučiću i Oliveru B. Antiću političkim azilom i štrajkom žeđu u Briselu, uz obrazloženje da je to jedini način da se po hitnom postupku izborim za svoja prava Ustavom zagarantovana (građanska država, što podrazumeva jednaka prava za sve građane), psihološki sam delovao na njih da mi ukradu epohalnu ideju o POLITIČKOM štrajku žeđu i preko noći ubede Tomosalva Nikolića da još jednom pokaže Evropi ko su zapravo naprednjaci. Nekada davno ljudi su štrajkovali žeđu, ali su to bili radnici i izbeglice. Lider naprednjaka je prvi političar u istoriji koji je upotrebio takav štrajk. U njegovim izjavama prepoznao sam moje reči, SMS poruke koje sam slao Vučiću i Antiću. Toliko o plitkom političkom mišljenju i rejtingu!
www.sasamilivojev.com Saša Milivojev: POLITICAL THIRST STRIKE Politički štrajk žeđu: Saša Milivojev, Oliver. B. Antić, Aleksandar Vučić, Tomislav Nikolić, Hosni Mubarak Tanslation from Serbian: ALEKSANDRA JAKŠIĆ Threatening to Aleksandar Vučić and Oliver B. Antić with political asylum and thirst strike in Brussels, explaining thats the only way for me to fight, as a matter of … Настави са читањем “Saša Milivojev: POLITICAL THIRST STRIKE, Wekeend column, 10-11.9.2011. www.sasamilivojev.com”
Politički štrajk žeđu: Saša Milivojev, Oliver. B. Antić, Aleksandar Vučić, Tomislav Nikolić, Hosni Mubarak
Tanslation from Serbian: ALEKSANDRA JAKŠIĆ
Threatening to Aleksandar Vučić and Oliver B. Antić with political asylum and thirst strike in Brussels, explaining thats the only way for me to fight, as a matter of urgency, for my rights guaranteed by Constitution, because Serbia is a Civil State, I influenced them psychologically to steal my epoch-making idea on POLITICAL strike and overnight to persuade Tomislav Nikolić once again to show to Europe who actually are Progressives (members of Napredna stranka – eng. Progressive Party). Nikolić is the first politician in history who has used this strike. This idea has widely been spread all over the world. Arab Media transmit that Hosni Mubarak follows his Serbian right-wing leader and refuses to take liquid. This idea is mine! Sešelj was starving for 17 days in the Hague because didnt know about the thirst strike….
Welcome my friends. Welcome my enemies.. The true is waiting for you here. Thank you for staying with me because, since 10th January 2010. my Serbian brothers have unmercifully sanctioned me, disparaged me, politically harassed me and discriminated me in all those party, mafia and sect media, independent and cheap Serbian daily newspaper full of hatred, intolerance, lies, frauds, deceits, false morality and ontological immorality.
In 2008. I suspected in conspiracy between the radicals and members of Napredna Stranka (Progressive Party) on alleged division. I didnt pay attention when everybody ridiculed me because I was astray from Politika to work on liberalization of Pravda. POLITICAL METASTASIS… Members of Napredna stranka (progressives) started to become my fans. First among them was a functionary Oliver B. Antić. He was delighted with my columns, annoying me by the phone and writing me messages that I am a miracle, but , as an intellectual creator of progressives, he had his final target in misusing my spirit of rebellion, talent, national feelings and an influence to reading audience. However, as soon as Carla del Ponte ha spoken up about Yellow house, I announced a novel under a shocking title The Boy from the Yellow House, after which I was kicked out from Politika and Pravda. Then it was revealed that even professor didnt care about the Yellow House; he did that only for his personal pleasure and philanthropy. Aleksandar Vučić blushed when I told him about my target to publish the novel about the Yellow House and to encourage an investigation. Saša Milivojev to Aleksandar Vučić, SMS: “Stop lying me as you have been lying the people for years!”
“Halo, listen to me very carefully Saša: tell to your mom and dad they are lairs! Do you hear me? Tell them they are lairs!! You havent obliged me with anything, so I do not owe you any help!”
“No kidding? My background is not the street, Mr Vučić, I have come from Politika in order to meet you! Thousands of young people are following my words in Politika and Pravda towards your party, now you will see when I turn all of them against you! I have my tentacles in structures which are impalpable to you and Boris Tadić! You will be surprised…”
Oliver B. Antić to Saša Milivojev, SMS: “I do not understand what you are expecting from us? We are not an authority which employees qualified! You are a poetic talent, even the best couldnt pass.”
“I have been sent to clean the wheat from the chaff by my literature, just they have forgotten to tell you that! Professionally, I can deal with your literature and, drawing from the context, I can prove your clear hate speech against the Muslims; that you are doing is not a literary struggle against terrorism, it is an attack on religion! And every religion must be respected!”
“One threat more and the criminal charge is at your door!”
“What the hell criminal charge? You could be charged for breaking human rights, manipulation and harassment of declared journalist, a young man whose intellectual property has been misused by you in Pravda, and he was left by you in the street again by you!”
“We do not have any connection with Pravda anymore. It has been bought by Đilas.”
“I am not interested in knowing who is an owner, Pravda as a public media, owes me!” – He says: “You are sick!”
“We shall se who is sick when you defend yourself by the polygraph! You know very well how I hold a reputation of the party in my hand. Do you want me to call Homen? You turned him down but you still are not aware that you lost him! People remember! People will never forgive you!”
“However, your political opinion is very shallow.”
Now we shall see whose opinion is politically shallow. So, threatening to Aleksandar Vučić and Oliver B. Antić with political asylum and the thirst strike in Brussels, explaining that its the only way for me to fight for my rights guaranteed by Constitution ( civil state- means same rights to all citizens of the state), I psychologically influenced them to steal my epoch-making idea on POLITICAL thirst strike and overnight persuade Tomislav Nikolić to show to Europe once again who are the Progressives indeed. Long time ago, people used the thirst strike, but those were the workers and refugees. The leader of Progressives is the first politician in history who used that strike. In his statements I recognized my words and SMS messages I had sent to Vučić and Antić. Said well enough on shallow political opinion and rating!